CREATE AN ACCOUNT WITH TRIBECA

Creating an account with Tribecafilm.com gives you access to more features and services, like our weekly newsletter and other special features just for the film community.

ALREADY HAVE AN ACCOUNT?

Sign in via Facebook

SIGN IN

close
Forgot your password?
Close
Close
SEARCH

BECOME A TRIBECA INSIDER

Sign up to access information about new releases before anyone else. By joining you’re entered for a chance to
win two tickets to a red carpet premiere
at the 2015 Tribeca Film Festival.

By clicking the Sign Up button, you agree that we may send you Tribeca Film emails at the address provided above from time to time on behalf of Tribeca Enterprises (about events, promotions and activities). You can unsubscribe at any time by following the instructions in any email you receive.
X
DOCUMENTARY FEATURE | 99 MIN | 2005

TOUCH THE SOUND

Large_film_12728887_photo1
Evelyn Glennie was just an eight-year-old Scottish lass with a knack for music when she began to go deaf. By age 11, she needed a hearing aid, and doctors told her father she'd never be able to pursue her beloved music. Touch the Sound, a documentary brilliantly directed and edited by Thomas Riedelsheimer, demonstrates just how wrong those doctors were. Glennie grew up to be a Grammy®-winning percussionist, and the documentary follows her from New York to England to Tokyo to an abandoned factory in Germany where she records an improvised CD with fellow musician Fred Frith. Everywhere she makes music, using everything from drums to a xylophone to chopsticks and stiletto heels. Making music obviously transports Glennie, who plays with fierce concentration and an expression of childish delight. With a supportive father and sensitive teachers, as a child Glennie dispensed with the hearing aids and began to touch the sound, quite literally. "Hearing is a form of touching," the profoundly deaf musician says in her lilting Scottish burr, recounting how she learned to use the body as "some kind of resonating chamber" to detect "minute differences" in the vibrations she felt. Pondering the sound of silence in a Japanese rock garden, Glennie opines that the opposite of sound is definitely not silence; it's the closest thing she can imagine to death.
Film Information
Year: 2004
Length: 99 minutes
Language: English
Country: U.K., Germany
Premiere: New York
Cast & Credits
Special Note

About the Director(s)
Thomas Reidelsheimer studied documentary film at the Academy for Film and Television in Munich from 1984-1991. He has also worked as a writer, director, and cameraman in Germany and abroad, given lectures on cinematography, and is a partner in Filmquadrat, a Munich-based film production company. Riedelsheimer has won several major film and television awards, such as the German Filmprize, the German Camera prize, several international film critics awards, and several awards at festivals such as San Francisco, Montreal, Leipzig, Locarno. His credits as director and director of photography include Rivers and Tides- Andy Goldsworthy Working with Time, Metamorphoses or Sponsae Christi-The Brides of Christ. He lives in Munich with his wife and two children.

COMMENTS – JOIN THE CONVERSATION

© 2014 Tribeca Enterprises LLC | Privacy Policy | Terms & Conditions