Taking Father Home
Photos and Video
Xu Yun (Xu Yun), a 17-year-old from rural Sichuan, has traveled to the city of Zigong with nothing but a basket of geese on his back to find the father who abandoned his family six years ago. His last return address was the Happiness Hotel at No. 16 East Happiness Street, but the hotel has been torn down to make way for new construction. In his search for his father, he is befriended by two father figures: a burly thug named Scar (Wang Jie), who teaches him how to eat watermelon like a man, and a policeman (Liu Xiaopei), who shows him Zigong's more bucolic attractions. But there isn't much time for sightseeing, since the city is under the grip of a flood warning and everyone must evacuate within 24 hours. Ying Liang's super-low-budget first feature, consisting almost entirely of carefully composed static shots in which the action moves in and out of the frame and often takes place in the background, is both formally rigorous and slyly funny. The soundtrack is just as ingeniously composed: a mix of traffic noises, hip hop, police warnings, and radio propaganda broadcasts, along with a plaintively sung score by Zhang Xiao. With Xu Yun's own village slated for relocation as part of a flood control project and an eleventh-hour announcement from the 16th Communist Party Congress, it is clear that Ying and coscreenwriter Peng Shan have more on their minds than a simple tale of a country mouse in the city.
Director's Statement Collapse
Taking Father Home is my first feature-length film. The P.O.V. technically belongs to the son, but it also belongs to me. I think the story is about growing up, seeking, missing, calamity, and revujenation.
Film Information Collapse
[TAKIN] | 2005 | 100 | Narrative Feature
Foreign Title: (Bei Ya Zi De Nan Hai)
Premiere: New York
About the Director(s)Collapse
Ying Liang, born in Shanghai in 1977, was educated in the art department of Beijing Normal University and graduated with a BA from Chongqing Film Academy's Directing Department. He made many short films before directing his first feature, Taking Father Home, which won the Special Jury Prize at Tokyo Filmex. His short films include Bu shi gu shi (Something is Nothing), Qie pian (Section), Di tie (Subway), Cong qian you zuo shan (Asceticism), Shuang chong sha shou (Double Sided Killer), 3 fen 59 miau 24 zheng, Tian tang de jing bi (The Golden Coin of Heaven), Shan cheng ji shi (Stories in the Mountain City), Zai jia de ri zi(The Days at Home), Ying zi (Shadow), and Hui jia kan kan (The Missing House).