Japanese auteur Yukihiko Tsutsumi uses still photography and the moving image to full effect, creating a hybrid format with an almost surreal tone to frame his quirky, dreamlike trans-Pacific love mystery Love Collage. Makoto is a commercial photographer who stands by his artistry instead of kowtowing to his clients' wants. After a physically disastrous photo shoot, he returns home to find a letter from his ex-girlfriend, Shizuru, who had moved to New York City. Suddenly he is taken back to his college days when they met, moved in together, and embarked on a magical relationship. He teaches her photography only to discover that she is more talented than he. When she wins a photo competition, his ego gets the better of him, leading to arguments and misunderstandings. Unable to reconcile, she leaves for New York, but not before making Makoto promise to come get her once he becomes a successful photographer. Three years later with the letter in his hand and the emotions of their relationship racing back, he goes to New York to find her. Tsutsumi's use of multiple formats such as Polaroids, 8, 16, and 35mm, video, and digital photos, color and black & white, artfully captures the vivid moments of the mysterious and at times strange love story. Tsutsumi is able not only to present a powerfully rich visual style and guide the natural performances of the actors, but also to express the hardships of love and loss without geographic boundaries or language barriers.
About the Director(s)Collapse
After graduating from Toho Gakuen's Broadcasting Department in 1980, Yukihiko Tsutsumi started working in TV production as an assistant director, moving into directing in 1985. He went on to direct music videos as well as theatrical performances. He made his feature debut in 1988 with Speaking English: What the Heck!, the first episode of the hugely-popular Bakayaro! series. Following the success of that film, he spent a year in New York where he directed a film entitled Homeless featuring Yoko Ono. His exceptionally stylish way of shooting and vivid sense of humor have attracted not only a cult following but also a wide audience. His other films include Keizoku/The Movie, Drowning Fish, and Trick.