Photos and Video
In an ancient kingdom, a little girl stalks her war-ravaged land, wrestles a bun out of a dead soldier's hand, and thwarts a pint-sized soldier who tries to take it away from her. Impressed, the Goddess Manshen (Chen Hong) appears and offers the girl a Faustian bargain: she will never go hungry again, if she agrees to lose every man she ever loves. Twenty years later, Princess Qingcheng (Cecilia Cheung) is the toast of the kingdom and loved by three men: General Guangming, Master of the Crimson Armor (Hiroyuki Sanada, star of The Twilight Samurai); his slave Kundun, a fleet-footed sprinter from the Land of the Snow (Jang Dong-Gun, star of Tae Guk Gi: The Brotherhood of War); and the evil conqueror Wuhuan (Chinese pop star Nicholas Tse), who has a fondness for bird cages and feathers. Wuhuan has his own slave from the Land of the Snow, the mysterious assassin Snow Wolf (Liu Ye), who wears the only cloak that can break Manshen's spell. In his first foray into high-flying martial arts fantasy, Chen Kaige (Farewell, My Concubine) employs a stellar multinational cast and the biggest budget in the history of Chinese film production. In addition to this, the film features cinematography by Peter Pau (Crouching Tiger, Hidden Dragon), stunts by Hong Kong action choreographer Dion Lam (The Matrix trilogy), delirious production design by Tim Yip (Crouching Tiger, Hidden Dragon), costumes by Yip and Kimiya Masago, and enough CG animation to command a herd of stampeding buffalo. Copresented with Asian CineVision.
Director's Statement Collapse
“Once you have accepted your destiny, nothing can alter it. Unless time flows backwards, winter falls in the spring, and the dead come back to life." These are the words of the Goddess Manshen in The Promise. Long before we began pre-production, I had conceptualized the story: A beautiful Princess, a courageous Slave, a charismatic Mighty General, and an evil Duke would be propelled forward by vehement passions and the unremitting search for true love. Their dance with destiny would be choreographed by these desires and by promises and contracts made years before. The story would also be set “3,000 years ago in the future, somewhere in Asia.” That was the premise of The Promise, yet a series of events unfolded that shaped the film in distinct ways that I had not previously envisioned. The film you “plan” to make is never the one that you shoot - the film will unfold as it will. Perhaps fate whispers stories to us in our dreams, in our subconscious, and we are compelled to tell them. And yet we do have an opportunity to shape these stories, to embellish them, to make them our own.
Film Information Collapse
[PROMI] | 2005 | 103 | Narrative Feature
Foreign Title: (Wu Ji)
Premiere: New York
About the Director(s)Collapse
After serving for five years in the regional army, Chen Kaige, the son of a respected film director, was among the first students at the reopened Beijing Film Academy. Influenced by Western European directors rather than Hollywood movies, these talented students became known as the Fifth Generation Directors. Yellow Earth, Chen's debut film, was hailed as the audacious beginning to a new era of Chinese cinema. His subsequent films The Big Parade, King of Children, and Life on a String were interspersed with a sojourn at Columbia University. Following the international success of Farewell, My Concubine, which won the first Palme D'Or for a Chinese-language film at the 1993 Cannes Film Festival and went on to gather critical praise, an Academy Award® nomination and international success, Chen directed Temptress Moon (1996), The Emperor and the Assassin (1999), and the TFF Audience Award-winning Together (2002).