In this fresh, subversive take on the found-footage horror genre from the makers of SPLICE and CUBE, a faceless voyeur’s twisted manipulation of a young couple escalates into a deadly cat-and-mouse game, as seen from the perspective of hidden cameras he’s concealed throughout their house. | Read More
This controversial episodic Russian drama with political overtones drew the ire of censors in its native land and shared the top prize at the Rotterdam Film Festival. In the script by taboo challenger Vladimir Sorokin, three characters meet in a bar and their late-night conversation touches on cloning, politics and the nature of truth in modern Mother Russia. | Read More
Separated from but still emotionally attached to her husband, a woman searches desperately for her runaway father who is obsessed with going to Abadan, the oil-rich city destroyed in the war with Iraq. Aided by a remarkable cast, Haghighi's directorial debut portrays a middle class rarely depicted in Iranian films today. | Read More
Impending doom permeates this gothic meditation on anxiety. Found-footage veteran Jay Rosenblatt has created an at once beautiful and cryptic montage based on Jeanne Marie Beaumont's poem by the same name, which consists of questions, to which the response is always "afraid so." Similarly, Rosenblatt's visual poem starts out innocuous, but gradually devolves into a suffocating puzzle with only one possible answer... | Read More
An intriguing look at sex and celebrity, this richly textured documentary, filled with drag queens and Hollywood glitterati, is actually a serious movie about transgendered life. In this unique and candid documentary, Alexis reveals a more private side as she grapples with the process of sex reassignment surgery. | Read MoreFemale Director(s) and Documentary
Since its initial publication in Vienna in 1937, the exotic love story Ali & Nino has been surrounded by controversy over the true identity of its pseudonymous author. Alias sets out to shed light on the mystery surrounding Said's identity: Was he a Russian Jew, was he an Azerbaijaini Muslim, or was he even a she -- an Austrian countess? | Read More
Ibro takes his 13-year-old son Armin from their small Bosnian village to Croatia to audition for a German film about the Balkan conflict. A skeptical take on the promises of the "New Europe," Armin is also the story of a growing relationship between a father and a son. In Croatian, German, Bosnian and English.
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